STILL

ensemble theatre · liv productions · Ages 16+ · world premiere · South Africa
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?

ROMEO AND JULIET

ensemble theatre · desperate kingdom theatre company · Ages 12+ · United States of America
A raw, dangerous production of Shakespeare's tragic love story, brought alive for a modern audience.
A raw, dangerous production of Shakespeare's tragic love story, brought alive for a modern audience.

YELLOW WALLPAPER

ensemble theatre · denise m. barrett · Ages 8+ · family friendly · world premiere · United States of America
A woman in 1950's America is taken to a remote Victorian house to recover from her nerves, only to descend slowly in to madness by the torturing wallpaper she has to endure and the woman haunting her. A blend of live performance and animation.
A woman in 1950's America is taken to a remote Victorian house to recover from her nerves, only to descend slowly in to madness by the torturing wallpaper she has to endure and the woman haunting her. A blend of live performance and animation.

KNOWNO’S - #FIXMYSHITUATION

ensemble theatre · rawchattruths · Ages 17+ · family friendly · world premiere · United States of America
NO has found her long lost meaning.
NO has found her long lost meaning.

THE OZ MONOLOGUES

ensemble theatre · italo productions · Ages 10+ · family friendly · world premiere · United States of America
The Oz Monologues goes beyond the story you already know, exploring each of the beloved characters from The Wonderful Wizard of Oz... with a poetic and irreverent modern take.
The Oz Monologues goes beyond the story you already know, exploring each of the beloved characters from The Wonderful Wizard of Oz... with a poetic and irreverent modern take.

RONNIE BRIXTON - THE BEST OF BRITISH BOXING

ensemble theatre · john f. smith inc. · Ages 10+ · world premiere · one person show · United States of America
Top BBC Boxing commentator Ronnie Brixton takes the stage to address his fans - promising an intimate, witty exposé of the macho world of British Boxing, his life as the son of revered trainer "King George" Brixton, and the secret origin of not only the tabloid rumors, but his very identity.
Top BBC Boxing commentator Ronnie Brixton takes the stage to address his fans - promising an intimate, witty exposé of the macho world of British Boxing, his life as the son of revered trainer "King George" Brixton, and the secret origin of not only the tabloid rumors, but his very identity.

BENEVOLENCE

ensemble theatre · producer · Ages 16+ · world premiere · United States of America
Through the lens of three separate stories, Benevolence is an original two act drama about how our most important decisions are rarely made by us.
Through the lens of three separate stories, Benevolence is an original two act drama about how our most important decisions are rarely made by us.

THE GODDESSES GUIDE: ADURA FOR THE WOMEN OF AFRICAN DIASPORA

ensemble theatre · self-produced · Ages 13+ · world premiere · United States of America
Follow the revealing journey of three Yoruba goddesses as they grapple with the responsibility of creating a guide for black women trying to survive in a world that doesn't always allow them to thrive. *2018 Fringe Fest Scholarship Winner*
Follow the revealing journey of three Yoruba goddesses as they grapple with the responsibility of creating a guide for black women trying to survive in a world that doesn't always allow them to thrive. *2018 Fringe Fest Scholarship Winner*

MEN OF BLOOD

ensemble theatre · konglomerat · Ages 21+ · Germany
A collage of contemporary german plays for theater. The three pieces deal with the topics of guilt and vanity, success and disappointment in the context of self-reflection and delusion.
A collage of contemporary german plays for theater. The three pieces deal with the topics of guilt and vanity, success and disappointment in the context of self-reflection and delusion.

MOST MASSIVE WOMAN WINS

ensemble theatre · yridia's company · Ages 12+ · family friendly · United States of America
Four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. Experiences that both haunt and empower these women as they imagine their way to a new vision of themselves as beautiful and whole.
Four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. Experiences that both haunt and empower these women as they imagine their way to a new vision of themselves as beautiful and whole.

SEMINAR

ensemble theatre · pop up theater inc. · Ages 18+ · includes nudity · United States of America
The story begins with four aspiring writers who have just hired world renowned writer, editor and teacher Leonard for a 10 week seminar to teach them how to be better writers and help their careers along.
The story begins with four aspiring writers who have just hired world renowned writer, editor and teacher Leonard for a 10 week seminar to teach them how to be better writers and help their careers along.

ROOM NO. 9 AT THE CHRYSALIS INN

ensemble theatre · ratheatre | kelleygirl planet · Ages 17+ · world premiere · United States of America
Room No. 9 at the Chrysalis Inn is an animated story of a woman's healing journey in a hotel room. Alice, the main character, has checked into the Chrysalis Inn to cocoon herself from her toxic life of domestic abuse and a past childhood trauma.
Room No. 9 at the Chrysalis Inn is an animated story of a woman's healing journey in a hotel room. Alice, the main character, has checked into the Chrysalis Inn to cocoon herself from her toxic life of domestic abuse and a past childhood trauma.

BAD SPONSOR

ensemble theatre · the bad company · Ages 17+ · world premiere · United States of America
When serial entrepreneur, Isaac, hits financial bottom, he joins Debtors Anonymous and happens to pick the worst sponsor ever - the morally bankrupt film producer, Baron. Isaac tries to get back on his feet, but Baron’s “Turbo Steps” takes them both on a wild crazy detour to recovery.
When serial entrepreneur, Isaac, hits financial bottom, he joins Debtors Anonymous and happens to pick the worst sponsor ever - the morally bankrupt film producer, Baron. Isaac tries to get back on his feet, but Baron’s “Turbo Steps” takes them both on a wild crazy detour to recovery.

MICHAEL KEARNS' BLOODBOUND

ensemble theatre · moon mile run · Ages 17+ · flashing lights · United States of America
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.

KISS MY AX!

ensemble theatre · alliance of los angeles playwrights (alap) · Ages 15+ · world premiere · United States of America
All about the ax! Five short plays written by members of ALAP and incorporating a wicked-looking ax...
All about the ax! Five short plays written by members of ALAP and incorporating a wicked-looking ax...