STAND DOWN THE MARCH

ensemble theatre · naomi brodkin & matt pacult · Ages 13+ · world premiere · United States of America
What is the role of activism? Liv is a third quarter senior in college looking for her “thing.” She stumbles into a cause when she learns a professor is an active Holocaust denier planning a march. Naomi Brodkin’s new play explores the notion of truth and how far one must go to fight for it.
What is the role of activism? Liv is a third quarter senior in college looking for her “thing.” She stumbles into a cause when she learns a professor is an active Holocaust denier planning a march. Naomi Brodkin’s new play explores the notion of truth and how far one must go to fight for it.

PARIS SYNDROME

ensemble theatre · self-produced · Ages 14+ · world premiere · United States of America
Freshly divorced, a young-ish man decides the only way he can climb out the depressive hole he's fallen into is to blame Paris and sets off on an journey of self-rediscovery. Well, sort of. Basically, he just wants to find the lock he and his ex-wife once hung on a Parisian bridge and cut it off.
Freshly divorced, a young-ish man decides the only way he can climb out the depressive hole he's fallen into is to blame Paris and sets off on an journey of self-rediscovery. Well, sort of. Basically, he just wants to find the lock he and his ex-wife once hung on a Parisian bridge and cut it off.

HAPPY

ensemble theatre · new concepts theatre company · Ages 14+ · world premiere · United States of America
Oliver- a young man with Asperger's- is instantly catapulted into a world of adventure and self-discovery when he realizes there is more to life than reading, watching and wishing for relationships but avoiding connection at all cost.
Oliver- a young man with Asperger's- is instantly catapulted into a world of adventure and self-discovery when he realizes there is more to life than reading, watching and wishing for relationships but avoiding connection at all cost.

A LIGHT ROMP THROUGH THE MINEFIELD OF SEXUAL HARASSMENT

ensemble theatre · rhombus ensemble · Ages 15+ · world premiere · United States of America
Sexual harassment is so 2017, isn't it? Are there good guys? This plucky one-act exploits the comedy in a good old fashioned sexual harassment lawsuit. John is a mediocre lawyer with a hard core love obsession with his ex-wife and a small penchant for dick pics. Hilarity ensues!
Sexual harassment is so 2017, isn't it? Are there good guys? This plucky one-act exploits the comedy in a good old fashioned sexual harassment lawsuit. John is a mediocre lawyer with a hard core love obsession with his ex-wife and a small penchant for dick pics. Hilarity ensues!

KISS MY AX!

ensemble theatre · alliance of los angeles playwrights (alap) · Ages 15+ · world premiere · United States of America
All about the ax! Five short plays written by members of ALAP and incorporating a wicked-looking ax...
All about the ax! Five short plays written by members of ALAP and incorporating a wicked-looking ax...

FACE DIVIDED

ensemble theatre · michael antosy · Ages 18+ · United States of America
As Debbie and Freddie wait in an emergency room for news on their daughter, the couple struggle over who is to blame for her accident, ultimately facing the most important--and divisive--decision of their lives.
As Debbie and Freddie wait in an emergency room for news on their daughter, the couple struggle over who is to blame for her accident, ultimately facing the most important--and divisive--decision of their lives.

LIGHTS OUT IN THE HERMIT’S CAVE!

ensemble theatre · self produced · Ages 8+ · world premiere · United States of America
From the the airwaves of the 1930s and 40s to the stage: we present this old time radio horror double feature. From Lights Out: “Valse Triste”& From The Hermit’s Cave: “The House on Lost Man’s Bluff.” Join us for an evening of vintage thrills and chills!
From the the airwaves of the 1930s and 40s to the stage: we present this old time radio horror double feature. From Lights Out: “Valse Triste”& From The Hermit’s Cave: “The House on Lost Man’s Bluff.” Join us for an evening of vintage thrills and chills!

17TH FLOOR

ensemble theatre · letien productions · Ages 12+ · world premiere · United States of America
The kindness of strangers is only as good as their intentions. Two desperate parents learn this the hard way as they seek refuge from the fate of their sick children in the parent’s room at St. Joseph’s Hospital.
The kindness of strangers is only as good as their intentions. Two desperate parents learn this the hard way as they seek refuge from the fate of their sick children in the parent’s room at St. Joseph’s Hospital.

STILL

ensemble theatre · liv productions · Ages 16+ · world premiere · South Africa
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?

AMANDA THE BARBARIAN

ensemble theatre · franger brothers · Ages 13+ · world premiere · United States of America
Amanda, the star of a new play and superstar in her own head improvs, breaks the 4th wall, and drinks on stage in this play within a play. Amanda The Barbarian is a love-letter to the theatre and to all the deluded people we know who hijack every production.
Amanda, the star of a new play and superstar in her own head improvs, breaks the 4th wall, and drinks on stage in this play within a play. Amanda The Barbarian is a love-letter to the theatre and to all the deluded people we know who hijack every production.

GLITCH

ensemble theatre · rough riders theatre cavalry · Ages 13+ · world premiere · United States of America
Six years after Jonathan massacred thirteen students he is giving his first interview. Rachel, an up and coming journalist, is given the opportunity of a lifetime to interview him. When the two meet Rachel discovers that Jonathan is not what the media made him out to be.
Six years after Jonathan massacred thirteen students he is giving his first interview. Rachel, an up and coming journalist, is given the opportunity of a lifetime to interview him. When the two meet Rachel discovers that Jonathan is not what the media made him out to be.

I STOP BREATHING WHEN YOU SMILE

ensemble theatre · enfyrian images · Ages 17+ · world premiere · United States of America
It’s the evening of the 1977 New York City blackout and the chaos from the streets is about to bubble into the quaint lives of two unwitting lovers, who stand on the precipice of ruin.
It’s the evening of the 1977 New York City blackout and the chaos from the streets is about to bubble into the quaint lives of two unwitting lovers, who stand on the precipice of ruin.

FORT HUACHUCA

ensemble theatre · ailema sousa · Ages 14+ · world premiere · United States of America
World War II. Arizona. African American nurses arrive on an army base camp. Join Mayvee, Marjorie, Georgia, Elinor, and Thelma on their journey as they face the biggest challenge of their lives.
World War II. Arizona. African American nurses arrive on an army base camp. Join Mayvee, Marjorie, Georgia, Elinor, and Thelma on their journey as they face the biggest challenge of their lives.

EXPECTATIONS HIGH

ensemble theatre · take the stage long beach · Ages 13+ · world premiere · United States of America
By Teens, For Teens (and anyone who has ever been a teen). Overheard humor, rumor, drama, trauma, bromance, romance and karma during passing periods in high school.
By Teens, For Teens (and anyone who has ever been a teen). Overheard humor, rumor, drama, trauma, bromance, romance and karma during passing periods in high school.

MICHAEL KEARNS' BLOODBOUND

ensemble theatre · moon mile run · Ages 17+ · flashing lights · United States of America
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.