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MULATTO MATH: SUMMING UP THE RACE EQUATION IN AMERICA

solo performance · mdb productions · Ages 12+ · one person show · United States of America
Original music helps writer/performer Monique DeBose explore race, family and identity through the lens of growing up mixed race.
Original music helps writer/performer Monique DeBose explore race, family and identity through the lens of growing up mixed race.

TROJAN WOMEN

ensemble theatre · project nongenue · Ages 15+ · family friendly · United States of America
In perhaps the first recorded piece of theater in the western canon that passes the Bechdel test, Euripdes tells a story of women stronger than Gods. Using movement, language, and contemporary vision, Project Nongenue’s Trojan Women tackles building community in times of violence.
In perhaps the first recorded piece of theater in the western canon that passes the Bechdel test, Euripdes tells a story of women stronger than Gods. Using movement, language, and contemporary vision, Project Nongenue’s Trojan Women tackles building community in times of violence.

FROM TOILET TO TINSELTOWN

maddieness · Ages 18+ · world premiere · one person show · United States of America
Moaning Myrtle, everybody's favorite ghost from the Harry Potter series, is doing her one woman show - a chance for her to finally be seen (figuratively, of course).
Moaning Myrtle, everybody's favorite ghost from the Harry Potter series, is doing her one woman show - a chance for her to finally be seen (figuratively, of course).

FREEBIRD GOES TO MARS

solo performance · two old biddies · Ages 12+ · one person show · United States of America
Betty, a recovered alcoholic everymom from middle America, packs up her life in preparation for an epic adventure to the red planet. Her memories, shared with unfiltered dry wit, will surprise and charm you.
Betty, a recovered alcoholic everymom from middle America, packs up her life in preparation for an epic adventure to the red planet. Her memories, shared with unfiltered dry wit, will surprise and charm you.

CRUNCH

ensemble theatre · sacred fools theater company · Ages 16+ · United States of America
Three best friends from high school, run aground on shitty jobs and instability in their early twenties, try to keep their adolescent love for each other alive while caring for a fourth friend who has become a powerful, ravenous, cave-dwelling entity. @crunchtheplay
Three best friends from high school, run aground on shitty jobs and instability in their early twenties, try to keep their adolescent love for each other alive while caring for a fourth friend who has become a powerful, ravenous, cave-dwelling entity. @crunchtheplay

SKIN JOBS

jim vejvoda · world premiere · United States of America
An Asian-American visual effects artist is working on a top secret, very racially problematic project: digitally altering a white movie star to look biracial. Her white reporter bestie threatens to expose it all — and destroy her friend in the process.
An Asian-American visual effects artist is working on a top secret, very racially problematic project: digitally altering a white movie star to look biracial. Her white reporter bestie threatens to expose it all — and destroy her friend in the process.

I CAME TO MAKE NOISE

carrie mikuls · Ages 16+ · world premiere · United States of America
Recipient of The Encore Producers' Award, I Came to Make Noise is a hip hop feminist theatrical happening challenging the stereotype that women are expected to be quiet and agreeable.
Recipient of The Encore Producers' Award, I Came to Make Noise is a hip hop feminist theatrical happening challenging the stereotype that women are expected to be quiet and agreeable.

NOBODY'S REALLY HELPED ME

comedy · independent · Ages 14+ · one person show · United States of America
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.

AMANDA THE BARBARIAN

ensemble theatre · franger brothers · Ages 13+ · world premiere · United States of America
Amanda, the star of a new play and superstar in her own head improvs, breaks the 4th wall, and drinks on stage in this play within a play. Amanda The Barbarian is a love-letter to the theatre and to all the deluded people we know who hijack every production.
Amanda, the star of a new play and superstar in her own head improvs, breaks the 4th wall, and drinks on stage in this play within a play. Amanda The Barbarian is a love-letter to the theatre and to all the deluded people we know who hijack every production.

THE GRAY

ensemble theatre · the ladyparts collective · Ages 14+ · world premiere · United States of America
Inspired by interviews with the L.A. college community, THE GRAY by The LadyParts Collective follows a student as she navigates the aftermath of sexual assault. This production, featuring students and alumni of Moorpark College, shows how this script can be used to spark a dialogue on any campus.
Inspired by interviews with the L.A. college community, THE GRAY by The LadyParts Collective follows a student as she navigates the aftermath of sexual assault. This production, featuring students and alumni of Moorpark College, shows how this script can be used to spark a dialogue on any campus.

EARHART: MORE THAN A F-ING MYSTERY (A MUSICAL FLIGHT)

musicals and operas · hagopian company · Ages 18+ · United States of America
Follow the life of Amelia Earhart as she breaks the odds, defies stereotypes, and sets out to prove once and for all that she is more than a f-ing mystery!
Follow the life of Amelia Earhart as she breaks the odds, defies stereotypes, and sets out to prove once and for all that she is more than a f-ing mystery!

LADY FARTS

comedy · lady farts · Ages 18+ · United States of America
Lady Farts is an exploration of two women's journeys from childhood to adulthood, as non-conforming, slightly awkward, mostly outrageous "ladies." Covering everything from sexuality to religion to mental health to addressing the expectations of what women should be in today's society.
Lady Farts is an exploration of two women's journeys from childhood to adulthood, as non-conforming, slightly awkward, mostly outrageous "ladies." Covering everything from sexuality to religion to mental health to addressing the expectations of what women should be in today's society.

STILL

ensemble theatre · liv productions · Ages 16+ · world premiere · South Africa
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?

THE MEATBALL CHRONICLES

solo performance · debrianna mansini · Ages 15+ · one person show · United States of America
Mansini shares a delicious culinary adventure of finding love through a meatball. SPECIAL EVENT: SAT. JUNE 9: $25 includes MBC inspired lunch at Hunter and Charlie's -$15 tickets available -use discount code for lunch/show ticket/ USE CODE PROJECT ANGEL FOOD
Mansini shares a delicious culinary adventure of finding love through a meatball. SPECIAL EVENT: SAT. JUNE 9: $25 includes MBC inspired lunch at Hunter and Charlie's -$15 tickets available -use discount code for lunch/show ticket/ USE CODE PROJECT ANGEL FOOD

SEÑORITA MONTHLY JUICE

comedy · las callejeras · Ages 12+ · world premiere · United States of America
Senorita Monthly Juice is an absurd comedy that follows plant worker, Adelina, as she negotiates between her roles as a faithful “blood-worker” at a beauty startup and a mother concerned with the convoluted messages her very own company is televising out into the world.
Senorita Monthly Juice is an absurd comedy that follows plant worker, Adelina, as she negotiates between her roles as a faithful “blood-worker” at a beauty startup and a mother concerned with the convoluted messages her very own company is televising out into the world.

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